NO ONE LOVED “SINGLE LADIES” WHEN IT FIRST HIT RADIO… EVERYONE THOUGHT IS WAS COOL BUT WEREN’T ALL THAT IMPRESSED BY IT. FAST FORWARD TO THE VIDEO’S DROP: THE CHOREOGRAPHY WAS SURPRISINGLY HOTT AND WE HAD NEVERRRR SEEN BEYONCE DANCE SO MUCH. SASHA WAS INDEED FIERCE WHICH INTENTIONALLY STRENGTHENED THE SONG, MAKING IT MUCH HOTTER THAN PREVIOUSLY PERCEIVED. ONCE WE WERE ALL INSPIRED BY THE CHOREGRAPHY THE SONG BECAME A MAINSTAY, WHICH IS EXACTLY WHY ITS #2 ON BILLBOARD THIS WEEK AND WILL QUITE POSSIBLY DE-THROWN THE SEEMINGLY EVINCIBLE T.I AND BECOME BEYONCE’S 5TH #1 SINGLE AS A SOLO ACT.
THE PROBLEM IS:
THE PERFORMANCES ARE MECHANICAL AND PLANNED DOWN TO BEYONCE AND THE OTHER 2 DANCERS POINTING TO THERE RING FINGERS AS THE BAND PRODUCES THE FINAL NOTE. THESE TYPES OF PERFORMANCES ARE FOR ARTISTS LIKE THE BRITNEY SPEARS AND CIARA. NOT TO IMPLY THAT B CAN’T DANCE OR HAS ANY CHALLENGE WITH THE MOVEMENTS BUT THAT BY DOTTING EVERY I AND CROSSING EVERY T SHE ROBS US OF SASHA FIERCE, THE ALTER EGO AND CONFLICTING PERSONALITY THAT IS THE REAL CENTER OF HER FAN BASES’ WORSHIP
AFTER SEEING HER JET SET ON STAGE LIVE FOR THE 4TH TIME MOST OF US WERE BORED…
WE CONTINUE TO WATCH HER PERFORMANCES IN HOPES THAT SHE’LL DO SOMETHING DIFFERENT BUT SHE NEVER DOES. SHE IS CHAINED TO THE EXACT SAME PERFORMANCE AGAIN AND AGAIN AND AGAIN. WE’RE USED TO HER SURPRISING US AND BLOWING OUR MINDS ON STAGE, HAVING THAT OUTTER BODY EXPERIENCE THATS EVIDENT DURING HER SHOWS. THATS THE PROBLEM.
HOPEFULLY HER NEXT SINGLE “DIVA” WON’T INCLUDE A DANCE SEQUENCE LIKE THIS…
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